"Beneath the Gavel: Immersive Art Auction Play", (2016)
"The Un-making of Toulouse-Lautrec", (2012)
"Wild Things: The Life and Work of Maurice Sendak", (2014)
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"Beneath the Gavel: The Immersive Art Auction Play", Off-Broadway, (2017)
"Freedom: In 3 Acts", (2013)
"Beneath the Gavel: Immersive Art Auction Play", Off-Broadway, (2017)
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"Wild Things: The Life and Work of Maurice Sendak" (2014)
"A Feeling for the Organism: The Life and Work of Barbara McClintock", (2003), Northwestern University
"Beyond the Foot of the Stage", (2012)
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PRODUCTIONS
- FORTHCOMING* Beneath the Gavel, Feinstein's/54 Below, September 2018
- The Un-Making of Toulouse-Lautrec (secret penthouse performance), 2017
- Beneath the Gavel, Off-Broadway, Off-Broadway, 59E59 Theaters, 2017
- Freedom Deconstructed, Keynote speech for The New England Museum Association Conference, Mystic, CT, 2016
- Beneath the Gavel, museum collaboration, The New Britain Museum of American Art, 2016
- Freedom: In 3 Acts, museum collaboration with The Amistad Center for Art & Culture, performed at the New Haven International Festival of Arts and Ideas, 2014
- Wild Things: The Life and Work of Maurice Sendak, museum collaboration with The New Britain Museum of American Art, 2014
- The Un-making of Toulouse-Lautrec, museum collaboration with the Wadsworth Atheneum and The New Britain Museum of American Art, 2013
- Interludes Beyond the Foot of the Stage: museum collaboration with Real Art Ways
- Capitalistic Acts Between Consenting Adults, written and directed with Mitchell Polin, Trinity College
- Adaptation of V. Woolf's To the Lighthouse @ New Georges Room & 78th Street Theater Lab
- Hula co-directed with Jodi Kanter for the New York International Fringe Festival
- "A Feeling for the Organism" @ The American Living Room Festival
"The show was a theatrical experience and I enjoyed and admired so much of what was happening throughout the performance, from the orchestration of the sounds, made by the actor’s footsteps, the unfurling of sheets of paper, and the manipulation of umbrellas in rhythmic timing; the color and style of the costumes; the variety of shapes inhabited by the actors… the layers of detail in the construction of the piece was particularly impressive: actors on many architectural levels each focused on a variety of specific actions and forms, the video and sound design adding to the inherent sounds made by the actors and their actions, all cohesively integrated and timed seamlessly. The specificity of direction was essential to creating the effect the piece had on me in the audience. I was impressed and inspired. My attention was induced to go further and further into the piece, and at every level, there was a gift, a surprise waiting for me. Very intelligently, thoughtfully created and presented with high quality and artistic integrity." -- Audience member "The Un-making of Toulouse-Lautrec"